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Notebook in hand, I am deep into interviewing Chris Beardshaw |
This is the first of two posts I am
writing that relate to my visit earlier this week to the 2013
‘Hampton Court Palace Flower Show’ – and I am devoting this first entry
entirely to the gold-medal garden designed by Chris Beardshaw for McCarthy
& Stone. The story behind this award-winning and thought-provoking creation celebrating ‘Later
Life’ was not at all as I had anticipated, so I was more than fortunate to have
had an opportunity to chat to Chris during the Show, on a searing hot day, when
bright sunlight made photography difficult, bleaching colour from the
spectacular planting.
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What lies behind the substantial hedge? |
I asked Chris about the brief he was
given, and his thoughts on designing for ‘old people’ when he is nowhere near
‘retirement’ age. The usual concept is that gardening becomes well-nigh
impossible for some and you may not even have the space for plants. Chris explained that the Hampton Court
garden celebrates the wisdom of the ages by challenging pre-conceptions whilst
honouring the experiences of the UK’s growing population of over-60s.
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The grassy meadow with woodland trees (ignore the hosepipe, photographer's error) |
He was fortunate in experiencing the
gardening wisdom of older people from an early age, and says: “From the age of four I became
fascinated by plants after watching my first seeds germinate, and that initial tingle
of excitement and enthusiasm is still as strong for me today. My love of plants
and wonder at how they behave, perform and function together with how we
interact with them is the driving force behind my work.” Older generations nurtured his interest,
and he further remarked that today all too often families become separated and
knowledge is lost to the young. (I fully understand his thinking, having had
the benefit of long nature walks in the countryside with my grandmother during
World War II, and regular gifts of books on plants from my great-grandfather.)
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No ordinary deck chairs - they each represent a different era
(and what here appears to be 'lawn' is in fact a carpet of
thousands of wild flowers |
Chris sees his garden as a “theatre to
provoke discussion.” The garden is in two parts, a large outer square is
prelude to a secret circular sanctuary approached by three converging pathways.
The outer meadow is filled with woodland trees and wildflowers, and a high
dense hedge deliberately hiding the glorious inner garden from view. The areas
are each symbolic, and the inner sanctum takes your breath away with its rich
planting of summer flowers.
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The symbolic head - every visitor viewing it will have their own memories |
At its centre is a massive head
sculpture representing the three sides to memory: personal, cognitive and
habitual. This ‘head and heart’ side to the inner garden also reflected the
personal audio snapshots to which visitors could listen, recorded by some remarkable
people in their 80s and 90s who have certainly not grown old, demonstrating
that life can be lived to the full – encapsulated by the fragrance of roses,
rosemary and lavender.
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I'm discussing the summery planting with Jane Southcott, who handles PR for Chris Beardshaw |
(McCarthy & Stone, a UK builder of
retirement homes and flats, have their own philosophy of “Life with just the
good bits – everything we do is built around a belief that later life can be
rich, rewarding and hugely fulfilling. We build and run beautiful developments
but actually, the most valuable thing we offer is time.” Take a look at thisYouTube clip in which Chris guides you through the peaceful oasis of the
garden.
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Words came to mind, "Here where the world is quiet ..." (Swinburne) |
And I guess I am an oddity, for it was
the grassy meadow that brought me a personal inner calm, or maybe I was just
re-living my untroubled childhood.
(It’s the first time I have included a YouTube video; I
hope you enjoy the experience. Comments are always welcome so let me know what
you think, and I will endeavour to source other gardening-related clips. Next
week I will be posting other aspects of the Show.)
Labels: 2013 Hampton Court Palace Flower Show, Chris Beardshaw (designer), Gold medal garden, interviews